A solo organ accompaniment to the 16th century Epiphany hymn. Long reverberation gives the feeling of a cathedral.
D F B A
The eighth movement of Handel's Messiah, a very brief rubato recitative for alto soloist. Only six measures long, it begins in the key of D, but ends in A.
D
The ninth movement in Handel's Messiah begins with an alto aria, and ends with a triumphant SATB chorus. Together, they create a massive and grand piece of music. Smooth and flowing, this interpretation is inspired by the well-known London Symphony Orchestra recordings.
D
Movement 11 from Handel's Messiah is an aria for bass. The creepy chromatic melody is played unison by the orchestra and soloist, giving an unusual, dark character to the text. Tempos are similar to the London Symphony Orchestra recording.
Bm
A celebratory contemporary pop rock version of the popular Easter hymn. Catchy, danceable, and happy. Three verses included, with a 4-measure interlude between each verse.
C Eb Bb G
This soprano recitative comprises movements 14 and 15 of Handel's Messiah. It tells of the angel of God appearing to the shepherds. Very slow and rubato, with timings carefully matched to the London Philharmonic Orchestra recording.
C
Movement 17 from Handel's Messiah, this is a joyous SATB chorus, complete with trumpets, woodwinds, strings, and harpsichord. The text of "peace on Earth, goodwill towards men" is perfect for Christmas. Orchestral direction reflects the London Philharmonic Orchestra recording. Includes mvmnt. 16 (an 8-measure soprano recitative) as an introduction.
D
Contemporary worship band arrangement of the popular praise and worship song How Great Is Our God, originally written and performed by Chris Tomlin. Builds through to the final chorus, and ends with a section for almost a capella singing or meditation. This version is lowered to G Major to assist with congregational singing.
G
Movement 19 of Handel's Messiah is a brief alto recitative, reciting the miracles that will occur when Jesus is born. Accompanied by bass, cello, and harpsichord.
Am
A praise band recording of the song History Maker, written by Martin Smith of delirious?. Follows similar structure to the Deeper album version, although this version has been rewritten for live instruments. Great song about making difference in today's world through God. Used by permission, under license from HFA and EMI CMG.
Am
Movement 28 of Handel's Messiah is a four-part SATB fugal work about Christ's faith in God. All vocal parts are doubled clearly in the orchestra, making the complex music easy to sing. A fairly fast allegro movement with a slow dramatic ending.
Cm
A contemporary praise band arrangement of the classic hymn, featuring acoustic guitar, drums, bass, and hammond organ. Great uplifting hymn about love, peace, equality, and community in Christ. Great for Easter, too!
F Bb D
A very brief accompanied recitative from Handel's Messiah for tenor (or soprano). Only 30 seconds long, movement 31 forms a bridge between two short tenor arias, "Behold, and See if There Be Any Sorrow" and "But Thou Didst Not Leave His Soul in Hell", so a recital soloist might perform all three as a set. Very slow and rubato, with tempos following the London Philharmonic recording with Walter Susskind conducting.
E
Movement 32 of Handel's Messiah is an aria for tenor (or soprano). Moderately, calm, and stately, it occurs just after Christ is killed, and reassures the audience that his death is temporary. Orchestral direction and tempos follow the London Philharmonic recording with Walter Susskind conducting.
A
A brief tenor recitative, accompanied by harpsichord and strings. Movement 42 of Handel's Messiah, this functions as a short introduction to the tenor aria "Thou Shalt Break Them".
E
