Movement 10 of Bach's Cantata 147, this famous hymn tune has one of the most beautiful orchestral accompaniments ever written. Recorded from Bach's original scoring for SATB chorus, full string orchestra, solo oboe, and solo trumpet. Intended as a sing-along track for SATB choirs performing this Cantata movement.
G
This classic American song from the time of minstrel shows will always be associated with the American South and the Civil War. Perfect for teaching children about the Confederate South. This is a simple, pastoral orchestral accompaniment with three verses.
Bb C G
A beautiful orchestral rendition of the Passover song about the prophet Elijah. Begins and ends intimately, with accordion, solo clarinet, guitar, solo cello, and arco bass, and grows to glorious full orchestra in the middle.
Em Gm Bm
A majestic, triumphant aria for bass, featuring solo trumpet and full orchestral accompaniment. Movement 48 of Handel's Messiah, it speaks of the end of the world: how the dead will be raised, and the mortal will become immortal. Quite lengthy, as practically the entire four-minute aria is repeated after a short interlude.
D
A contemplative arrangement for Viola, Piano, and acoustic bass of the traditional high holy day song Kol Nidre. Instrumental intro, followed by one time through the song, and a tag instrumental ending. Kol Nidre means "All Vows" and is a flat statement that no promise of any kind will be kept for the coming year. Note, this arrangement is a shortened version of the full prayer, and is designed to allow for cantorial singing prior to chanting or speaking the full prayer -- an effective High Holiday congregational technique.
Abm Fm Cm
Jazz Trio recording of the traditional epiphany hymn, Arise Your Light Has Come. Piano, bass, and drums, rewritten in 3/4 time for a jazz waltz feel.
All Keys
Movement 20 in Handel's Messiah is a gentle, flowing double aria for alto and soprano. The text describes how Jesus will protect his people. The alto sings the first half in F, and then the soprano takes over in Bb for the second half. Simple and beautiful. Could be done by one singer with a large range, but really perfect to feature two.
F
A traditional solo organ accompaniment to this modern hymn. Perfect for Ash Wednesday.
D Bb F
A rhythmic acoustic version of the Epiphany hymn, featuring acoustic guitar, piano, organ, upright bass, and percussion. Celebratory and simple.
D C F A
A contemporary pop arrangement of the classic Christmas song Oh Holy Night. 6/8 pop-rock groove similar to the Mercy Me recording, with guitars, bass, drums. Perfect for contemporary Christmas programs.
C Eb G Bb
A grand orchestral arrangement of the Ode to Joy, the famous melody from the finale of Beethoven's 9th symphony. Begins intimately, with guitar and solo cello, and quickly opens to full orchestra. Makes a perfect congregational worship song for themes of happiness and thanksgiving.
G Bb E C
A mellow acoustic version of the traditional Easter hymn. Piano and guitars, drumset with brushes, shaker, and organ. An easy and beautiful congregational song for any time of year, but particular in the Easter season.
G Bb D F
A peaceful pop contemporary arrangement of the traditional hymn, Holy Holy Holy. Commonly used by all denominations, this one is a long-time favorite for corporate worship and special events.
D Bb F G
A contemporary arrangement of the traditional Christmas hymn with simplified harmonies, and a quick rock feel. Features guitars and drums, and a step up key change on the final verse. Perfect for the holidays.
G D F Bb
Orchestral and dramatic accompaniment arrangement of the traditional Christmas song, O Holy Night. Original text and music by Placide Clappeau and Adolphe-Charles Adam. Perfect for a solo performance piece during the holiday season. Guide vocal track recorded in A Major. Karaoke video version also available, item ID 1167 (sold separately).
C F A
