A front-porch style bluegrass version of this traditional gospel tune, featuring banjo, guitar, upright bass, fiddle, and drums. Fiddle introduction, then five choruses and four verses.
F Ab C
Traditional spiritual arranged in a country western folk style with accoustic guitar, bass and drums. Perfect for youth groups, bible studies, camps, and children. Four verses allow for personal variation.
All Keys
Campfire steel guitar arrangement of the traditional spiritual. Light percusion beat and western-style guitar. Perfect for children and camp sing alongs.
C
A short instrumental version of Amazing Grace, performed by a solo bagpiper.
G
Fun calypso arrangement of the traditional folk hymn. Lively and entertaining, this song is perfect for children and choirs. Marimbas, flutes, steel drums, and guitars plus lots of island percussion.
C Bb D G
Fun up-beat klezmer-style arrangement of the Chanukah favorite. Perfect for kids, hebrew school, and chanukah celebrations.
E A C F
Klezmer backing track arrangement perfect for singing along to the Four Questions of the Passover Seder, also known as Halila Hazeh. Verses traditionally sung by the youngest in the family with everone singing the choruses.
Dbm Em Gm Bm
A contemporary version of the traditional Jewish prayer, the Sh'ma. Perfect for Shabbat services and prayer, as well as other Jewish gatherings such as the High Holidays. This version is commonly sung in reform and progressive synagogues.
Dbm Em Gm Am
A contemporary / klezmer style arrangement of the traditional Jewish song Oseh Shalom. This song is commonly sung during Shabbat services and at other Jewish celebrations. Starts slowly and increases to a joyful speed. Translation: May He who makes peace in the heavens, grant peace to us and to all our people, and let us say Amen.
Gbm Am Em Cm
A bouncy, easy-going calypso version of the popular children's song Zacchaeus, easy for young children to sing along with. The song repeats twice with a short dance break between the two verses, for the kids to have fun!
G F D
The ninth movement in Handel's Messiah begins with an alto aria, and ends with a triumphant SATB chorus. Together, they create a massive and grand piece of music. Smooth and flowing, this interpretation is inspired by the well-known London Symphony Orchestra recordings.
D
In this menacing bass aria, Handel signals darkness and danger with a "Jaws"-like musical motif in the orchestra. Simple and captivating, this is movement ten of the Messiah. Perfect for Easter or Good Friday. Direction is inspired by the London Symphony Orchestra recordings.
Bm
Movement 11 from Handel's Messiah is an aria for bass. The creepy chromatic melody is played unison by the orchestra and soloist, giving an unusual, dark character to the text. Tempos are similar to the London Symphony Orchestra recording.
Bm
The twelfth movement in Handel's Messiah is a joyous SATB chorus celebrating Christ's birth. The vocal parts alternate between quiet sections of imitative polyphony and strong sections of heroic union fanfares. All parts match Handel's original score, and orchestral direction is similar to the well-known recordings by the London Symphony Orchestra.
G
This soprano recitative comprises movements 14 and 15 of Handel's Messiah. It tells of the angel of God appearing to the shepherds. Very slow and rubato, with timings carefully matched to the London Philharmonic Orchestra recording.
C
