Following Handel's original score, this is a complete orchestral recording of the Fifth movement from Messiah, Thus Saith the Lord -- an accompanied recitative for solo Bass vocal.
Dm
A traditional piano arrangement of the Epiphany hymn, accompanied by double bass and flute. Simple and easy to sing.
D F C A
A solo organ accompaniment to the 16th century Epiphany hymn. Long reverberation gives the feeling of a cathedral.
D F B A
A rhythmic acoustic version of the Epiphany hymn, featuring acoustic guitar, piano, organ, upright bass, and percussion. Celebratory and simple.
D C F A
A contemporary pop gospel version of this classic hymn of decision. Slow and deliberate, with piano, acoustic guitar, organ, bass and drums.
F A C
The seventh movement from Handel's Messiah, a full SATB chorus. This orchestral recording follows Handel's original score, featuring strings, winds, harpsichord, and organ. Popular oratorio for Christmas and Easter.
Gm
The eighth movement of Handel's Messiah, a very brief rubato recitative for alto soloist. Only six measures long, it begins in the key of D, but ends in A.
D
Piano, cello, and flute feature in this quiet, traditional hymn of humility and determination. Perfect for Ash Wednesday.
C Eb G Bb
A traditional solo organ accompaniment to this modern hymn. Perfect for Ash Wednesday.
D Bb F
The ninth movement in Handel's Messiah begins with an alto aria, and ends with a triumphant SATB chorus. Together, they create a massive and grand piece of music. Smooth and flowing, this interpretation is inspired by the well-known London Symphony Orchestra recordings.
D
This long, slow, beautiful soprano aria begins the Third Part of Handel's Messiah. Very smooth and legato, this is a common solo for Easter. Tempos and direction are inspired by the well-known London Symphony Orchestra recordings. This is movement 45 of the Messiah.
E
In this menacing bass aria, Handel signals darkness and danger with a "Jaws"-like musical motif in the orchestra. Simple and captivating, this is movement ten of the Messiah. Perfect for Easter or Good Friday. Direction is inspired by the London Symphony Orchestra recordings.
Bm
Movement 11 from Handel's Messiah is an aria for bass. The creepy chromatic melody is played unison by the orchestra and soloist, giving an unusual, dark character to the text. Tempos are similar to the London Symphony Orchestra recording.
Bm
The twelfth movement in Handel's Messiah is a joyous SATB chorus celebrating Christ's birth. The vocal parts alternate between quiet sections of imitative polyphony and strong sections of heroic union fanfares. All parts match Handel's original score, and orchestral direction is similar to the well-known recordings by the London Symphony Orchestra.
G
This soprano recitative comprises movements 14 and 15 of Handel's Messiah. It tells of the angel of God appearing to the shepherds. Very slow and rubato, with timings carefully matched to the London Philharmonic Orchestra recording.
C
