A latin salsa accompaniment track for the popular Christmas song, Feliz Navidad. Can be sung in English or Spanish. Features afro-cuban rhythm, trumpets and trombones. Great festive Christmas track for holiday parties and children.
Bb
A mellow pop ballad arrangement of the traditional Christmas carol Bring A Torch Jeanette Isabella. Features soft tribal percussion and acoustic guitar. Has a slight tropical feel to it.
C D F A
Gentle, peaceful piano and strings arrangement of the classic Christmas lullaby. Shows the reflective, soothing side of the holiday.
D G F
A bouncy and fun arrangement of the well-loved children's song. Just like track 1180, but with fun animal sounds added in verses 4, 5, and 6! A short interlude between each verse gives a child time to choose and tell everyone the next action. Seven verses, with guitar, bass, and percussion.
Bb D E
A bouncy and fun arrangement of the well-loved children's song. A short interlude between each verse gives a child time to choose and tell everyone the next action. Seven verses, with guitar, bass, and percussion. Just like track 1179, but without the animal sounds.
E D Bb
The eighth movement of Handel's Messiah, a very brief rubato recitative for alto soloist. Only six measures long, it begins in the key of D, but ends in A.
D
The ninth movement in Handel's Messiah begins with an alto aria, and ends with a triumphant SATB chorus. Together, they create a massive and grand piece of music. Smooth and flowing, this interpretation is inspired by the well-known London Symphony Orchestra recordings.
D
This long, slow, beautiful soprano aria begins the Third Part of Handel's Messiah. Very smooth and legato, this is a common solo for Easter. Tempos and direction are inspired by the well-known London Symphony Orchestra recordings. This is movement 45 of the Messiah.
E
In this menacing bass aria, Handel signals darkness and danger with a "Jaws"-like musical motif in the orchestra. Simple and captivating, this is movement ten of the Messiah. Perfect for Easter or Good Friday. Direction is inspired by the London Symphony Orchestra recordings.
Bm
Movement 11 from Handel's Messiah is an aria for bass. The creepy chromatic melody is played unison by the orchestra and soloist, giving an unusual, dark character to the text. Tempos are similar to the London Symphony Orchestra recording.
Bm
The twelfth movement in Handel's Messiah is a joyous SATB chorus celebrating Christ's birth. The vocal parts alternate between quiet sections of imitative polyphony and strong sections of heroic union fanfares. All parts match Handel's original score, and orchestral direction is similar to the well-known recordings by the London Symphony Orchestra.
G
This soprano recitative comprises movements 14 and 15 of Handel's Messiah. It tells of the angel of God appearing to the shepherds. Very slow and rubato, with timings carefully matched to the London Philharmonic Orchestra recording.
C
This well-known soprano aria is movement 52 of the Messiah. Follows Handel's original orchestral score. A beautiful number for solo performance.
Gm
Movement 18 of Handel's Messiah is a dramatic and involved aria for soprano. A fast major-key beginning and end require virtuosic singing, and the slow minor-key middle section gives the singer lots of room to be expressive. Orchestral direction reflects the London Philharmonic Orchestra recording.
Bb
Movement 19 of Handel's Messiah is a brief alto recitative, reciting the miracles that will occur when Jesus is born. Accompanied by bass, cello, and harpsichord.
Am
