A powerful, strong SATB choral work, movement 24 of Handel's Messiah. In only 19 measures, the choir sings powerful unison rhythms, soft contrapuntal entrances, and a forceful antiphonal ending. Beautiful and recognizable.
Fm
This slow minor-key SATB chorus is Movement 22 of Handel's Messiah, opening the second part. Beautiful and dramatic canonic entrances, with all the choral parts clearly mirrored in the orchestra.
Gm
This grand and peaceful SATB chorus is movement 21 of Handel's Messiah. The last movement in Part 1, it is usually the last song before intermission in performances of the full work. Gentle and easy to sing with a triumphant ending, with a text simple enough for anyone to understand.
Bb
A stirring arrangement of the USA's national anthem. Natural slowing at the end gives a singer room to show their stuff. Full orchestra captures the drama of the words, with strings and harp in the quieter sections, adding horns and winds as it builds energy, and climaxing with trumpets and marching drums.
Bb G C Ab F
A dramatic orchestral rendition of the USA's most thoughtful and beautiful patriotic song, alternately somber, strong, and full of national pride. Easy arrangement to sing along with. Includes two verses, with the usual stretching of the last phrase at the very end.
Ab F C
An exciting rendition of the American patriotic song by Irving Berlin. Full orchestra with a patriotic marching flavor, led in by gospel piano. Two verses, with the second modulating up a half step. Perfect for Labor Day, July 4th, Memorial Day, etc.
F Eb Ab
Movement 20 in Handel's Messiah is a gentle, flowing double aria for alto and soprano. The text describes how Jesus will protect his people. The alto sings the first half in F, and then the soprano takes over in Bb for the second half. Simple and beautiful. Could be done by one singer with a large range, but really perfect to feature two.
F
Movement 19 of Handel's Messiah is a brief alto recitative, reciting the miracles that will occur when Jesus is born. Accompanied by bass, cello, and harpsichord.
Am
An ambient contemporary version of the classic Christmas carol. The sound of whistling wind brings out the cold, dark quality of this minor key carol, and an eclectic group of instruments (bass, piano, guitar, synthesizers, strings, and a variety of percussion) provide an easy background to sing over.
Am Cm Fm
A gentle, uplifting folk/classical version of this common Thanksgiving hymn. Cat Stevens used the same melody for his well-known song "Morning has Broken". Acoustic guitars, piano, string orchestra, and percussion. Four verses.
Bb C G
A flowing duet for alto and tenor leads into a glorious SATB chorus thanking God. This track comprises movements 50 and 51 of the Messiah. Orchestral accompaniment is from Handel's original score.
Eb
Movement 49 of Handel's Messiah is a short alto recitative, setting the tone (and the key) for the alto-tenor duet that follows it (O Death, Where is Thy Sting?)
Bb
A majestic, triumphant aria for bass, featuring solo trumpet and full orchestral accompaniment. Movement 48 of Handel's Messiah, it speaks of the end of the world: how the dead will be raised, and the mortal will become immortal. Quite lengthy, as practically the entire four-minute aria is repeated after a short interlude.
D
Movement 47 of Handel's Messiah is a bass recitative that serves as a noble and grand introduction to the bass aria "The Trumpet Shall Sound".
D
A dramatic SATB chorus, movement 46 of Handel's Messiah. Extremely slow and quiet sections describing death alternate with loud, upbeat sections describing resurrection. For this recording, organ quietly doubles the vocal parts in the a capella sections.
Am
