A beautiful, soulful, modern pop ballad version of the traditional Methodist hymn Savior, Like A Shepherd Lead Us. Features piano, acoustic and electric guitar, keyboard, bass and drums, gradually building to a moving final chorus. Reharmonized for a more gospel feel. This version plays through 3 verses.
Eb C F
A gentle contemporary arrangement of the classic Thanksgiving hymn, Sing to the Lord of Harvest. Features piano, bass, drums, and acoustic guitar. Great for Thanksgiving Day and weekend services. Main themes about God's endless love.
Bb C D F
An upbeat gospel accompaniment to this spiritual, perfect for Easter or any time of year. Piano, upright bass, and drums. One verse by the band as an introduction, and then three verses for the choir or soloist.
G E C
Child of God is a traditional Black gospel hymn that doubles well as a song for Christmas worship services. The song captures the essence of enduring faith through hardship in its title verse, and was used as a song for slaves to communicate on the underground railroad as they escaped to freedom; undoubtedly, the song today is a testimony to spiritual freedom through faith. Our version is a simple, easy going swing, which is great for Jazz and Gospel services, and the arrangement sings through five times, with the fifth verse being a powerful restatement of “tell them I’m a child of God.”
Eb G C
This heartfelt spiritual about standing with God is presented here in a simple folk style with two acoustic guitars, upright bass, and drums. Adopted by the civil rights movement as "We Shall Not Be Moved", the melody now conjures images of standing against injustice.
D C F
Twelve of our most popular Christian hymns, in their most commonly sung keys. Each accompaniment track comes with sheet music, and five come with demonstation guide vocal tracks as well. Accompaniment tracks are in variety of contemporary musical styles, but all could be easily sung by congregations and untrained groups, as well as choirs and soloists.
This song is sung at the end of the Passover seder. The lyric is the last line of the Haggadah, and means, "Next year in Jerusalem!" The energetic world music groove reflects the varied Jewish communities around the globe who still speak of coming home to Jerusalem. The arrangement features percussion from Egypt, Iraq, and India, as well as the Turksih saz, Indonesian gamelan, alto flute, a full string sectopm, upright bass, and electric piano.
D F B
A rollicking country gospel version of the old spiritual, with twangy guitars, honky-tonk piano, upright bass, and a train rhythm on the drums. Six upbeat verses, fun for children or adults.
G C E
Contemporary version of this hymn of praise and appreciation. Perfect for themes of appreciating what we have, or our environmental or natural world. Four verses, with the fourth modulating up a step. Upbeat contemporary sound features guitars and keyboards.
F G D
An new classical arrangement of this quiet hymn of prayer, featuring piano, acoustic guitar, strings, and horns. The lyrics clearly show the connection between what God does for us and our own service in the world, which makes it a perfect song for themes of responsibility or service.
G E Bb
A joyous, upbeat version of this patriotic children's song. Features a full marching band. Brief whistling introduction to set the key, three verses, plus a quick ending- long enough for children to "mind the music and the step" and strike a pose on the last note!
G E Bb
A soft, solemn orchestral karaoke arrangement of the military "lights out" bugle call. Often sung at military funerals, or on Memorial Day, to honor fallen soldiers. Prominently features strings, harp, and trumpet. Instrumental verse out front, and then three verses for singing.
C F Bb
This traditional spiritual speaks of leaving this world and moving on. Arranged here for full orchestra plus rhythm section. Moderate tempo, three verses. Could work well for a soloist, a choir, or a congregation.
D F A
A beautiful and well-known soprano aria from Bach's Hunting Cantata that sets a gentle, peaceful mood. Recorded here from Bach's original score with two flutes, solo cello, and harpsichord. This version is intended as a backing track for a soloist. For a complete instrumental version that includes the melody on violin, see track 1303.
Bb C G
A traditional solo piano accompaniment to the classic gospel hymn. Great for either a soloist or choir, and the verses have built-in call and response sections too. The pianist plays stride left hand during the choruses, often in a ragtime style.
C Eb G
