M ovement 41 of Handel's Messiah is a lively, energetic SATB chorus. Imitative parts and frequent modulations present an interesting challenge for any choir. One measure has been added to the beginning to establish tempo and key.
C
A forceful, exciting aria for tenor, with lyrics describing God's wrath towards those who work against him. Orchestral direction follows the London Philharmonic recording. Movement 43 of Handel's Messiah, this aria occurs immediately before the famed Hallelujah Chorus.
Am
Movement 47 of Handel's Messiah is a bass recitative that serves as a noble and grand introduction to the bass aria "The Trumpet Shall Sound".
D
A majestic, triumphant aria for bass, featuring solo trumpet and full orchestral accompaniment. Movement 48 of Handel's Messiah, it speaks of the end of the world: how the dead will be raised, and the mortal will become immortal. Quite lengthy, as practically the entire four-minute aria is repeated after a short interlude.
D
Movement 49 of Handel's Messiah is a short alto recitative, setting the tone (and the key) for the alto-tenor duet that follows it (O Death, Where is Thy Sting?)
Bb
The massive final movement of Handel's Messiah, scored for SATB chorus and full orchestra, includes unison rhythm choruses, four part fugal sections, a big ending, and a four-minute Amen section that could be considered a separate movement. Trumpets and kettledrums boost the energy of this truly grand finale.
D
The Messiah - Part 1 includes the first 21 songs from the classic oratorio by Handel. Fully recreated from Handel's original scores. Lead sheets are included for the Arias and Recitative numbers only.
The Messiah - Part 2 includes the songs 22 through 44 from the classic oratorio by Handel. Fully recreated from Handel's original scores. Lead sheets are included for the Arias and Recitative numbers only.
The Messiah - Part 3 includes the final 8 songs from the classic oratorio by Handel. Fully recreated from Handel's original scores. Lead sheets are included for the Arias and Recitative numbers only.
The Complete Messiah includes all 53 songs from the classic oratorio by Handel. This package has over 2.5 hours of music in 52 MP3 backing tracks, perfect for performing the Messiah from start to finish. Fully recreated from Handel's original scores. Lead sheets are included for the Arias and Recitative numbers only.
Nurture your child's love of music, sing as a family, or put on a show! Our twelve most popular tracks for children are perfect for use at home, at school, or even in the car. This collection of Christian and secular songs includes a variety of playful and upbeat styles. Each accompaniment background track is set in an easy key for children to sing. Every song comes with sheet music, and several include guide vocal tracks to help children learn the melody.
Solo piano accompaniment to Gonoud's well-known Ave Maria setting, which uses Bach's Prelude No. 1 in C Major beautifully. It includes the entire melody once through, and is perfect for use in church, concerts, or weddings.
F C Ab
Gonoud's gentle setting of the Ave Maria over Bach's prelude #1 in C, arranged here for piano, organ, and cello. The melody repeats twice in a beautiful accompaniment for any solo singer.
F C Ab
The definitive American patriotic karaoke collection, these twelve songs are perfect for July 4th, Memorial Day, Veteran's Day, or any other patriotic gathering. Easy to sing orchestral and marching band arrangements in emotions ranging from stirring and exciting to somber and reverent, even light-hearted and playful. Every song comes with sheet music, and several include guide vocal tracks to help in learning the melody.
A triumphant orchestral arrangement of the Christmas hymn, Come Rejoice, Praises Voicing. Great accompaniment track for praise and worship on Christmas Day or Christmas Eve services. Three verses with a nice interlude. Also great as a choir accompaniment.
F D Bb
