A powerful celtic arrangement of the traditional hymn, Come Thou Fount of Every Blessing, originally by Robert Robinson and J. Wyeth. Hymn asking for personal commitment and faith. 3/4 time, 3 verses through.
D F A C
A mellow acoustic version of the traditional Easter hymn. Piano and guitars, drumset with brushes, shaker, and organ. An easy and beautiful congregational song for any time of year, but particular in the Easter season.
G Bb D F
A serene, peaceful recording of the this worshipful hymn. Nature sounds blend with contemporary instrumentation to remind us of our place in God's creation.
C A Eb G
Arrangement of the popular song performed by Chris Tomlin, Amazing Grace (My Chains Are Gone). Freedom through salvation and God's mercy. This version features piano and acoustic guitar.
F
Pop/rock contemporary praise and worship arrangement of the song originally recorded by artist Tim Hughes. Speaks of God's love and power. Synths, drums, acoustic guitar.
D
A contemporary praise band version of the traditional ascension hymn, Alleluia Sing To Jesus. Guitars, drums, keyboards make up this arrangement that is high in energy. This Hyferdol track is also used for tracks 1017 Love Divine, All Loves Excelling, and 1016 Lord of Glory, You Have Bought Us..
F Eb C Bb
An uptempo, joyfull bluegrass arrangement of the Spiritual New River Train, about loving more and more. Five verses. Lots of guitar, banjo, and other fun country western sounds. Get your congregation dancing and clapping in the pews!
D C A F
A mellow pop ballad arrangement of the traditional Christmas carol Bring A Torch Jeanette Isabella. Features soft tribal percussion and acoustic guitar. Has a slight tropical feel to it.
C D F A
A contemporary pop arrangement of the classic Christmas song Oh Holy Night. 6/8 pop-rock groove similar to the Mercy Me recording, with guitars, bass, drums. Perfect for contemporary Christmas programs.
C Eb G Bb
Gentle, peaceful piano and strings arrangement of the classic Christmas lullaby. Shows the reflective, soothing side of the holiday.
D G F
A solo organ accompaniment to the 16th century Epiphany hymn. Long reverberation gives the feeling of a cathedral.
D F B A
The eighth movement of Handel's Messiah, a very brief rubato recitative for alto soloist. Only six measures long, it begins in the key of D, but ends in A.
D
A traditional solo organ accompaniment to this modern hymn. Perfect for Ash Wednesday.
D Bb F
Movement 20 in Handel's Messiah is a gentle, flowing double aria for alto and soprano. The text describes how Jesus will protect his people. The alto sings the first half in F, and then the soprano takes over in Bb for the second half. Simple and beautiful. Could be done by one singer with a large range, but really perfect to feature two.
F
A slow, moving aria for alto, Movement 23 of Handel's Messiah, describing Christ's sorrows. Strings gently weep in the accompaniment. As the A section is over five minutes in length, Handel's instructions to continue with a bridge and then repeat the A section in its entirety are rarely followed. This recording ends, like most, at the end of the A section; the bridge is available separately as Spiritrax 1209, "He Gave His Back to the Smiters".
Eb
