Movement 11 from Handel's Messiah is an aria for bass. The creepy chromatic melody is played unison by the orchestra and soloist, giving an unusual, dark character to the text. Tempos are similar to the London Symphony Orchestra recording.
Bm
In this menacing bass aria, Handel signals darkness and danger with a "Jaws"-like musical motif in the orchestra. Simple and captivating, this is movement ten of the Messiah. Perfect for Easter or Good Friday. Direction is inspired by the London Symphony Orchestra recordings.
Bm
This long, slow, beautiful soprano aria begins the Third Part of Handel's Messiah. Very smooth and legato, this is a common solo for Easter. Tempos and direction are inspired by the well-known London Symphony Orchestra recordings. This is movement 45 of the Messiah.
E
The ninth movement in Handel's Messiah begins with an alto aria, and ends with a triumphant SATB chorus. Together, they create a massive and grand piece of music. Smooth and flowing, this interpretation is inspired by the well-known London Symphony Orchestra recordings.
D
The eighth movement of Handel's Messiah, a very brief rubato recitative for alto soloist. Only six measures long, it begins in the key of D, but ends in A.
D
The seventh movement from Handel's Messiah, a full SATB chorus. This orchestral recording follows Handel's original score, featuring strings, winds, harpsichord, and organ. Popular oratorio for Christmas and Easter.
Gm
Following Handel's original score, this is a complete orchestral recording of the Fifth movement from Messiah, Thus Saith the Lord -- an accompanied recitative for solo Bass vocal.
Dm
Chorus piece from Handel's "Messiah" following the original score, and recorded to sound similar to the London Symphony Orchestra's performance. Perfect for SATB choir.
A
Aria from the Messiah by Handel. This arrangement follows Handel's original score and the performance tempos as performed originally by the London Symphony Orchestra. Scored for orchestra and tenor voice. Perfect solo piece for the holidays.
E
Orchestral and dramatic accompaniment arrangement of the traditional Christmas song, O Holy Night. Original text and music by Placide Clappeau and Adolphe-Charles Adam. Perfect for a solo performance piece during the holiday season. Guide vocal track recorded in A Major. Karaoke video version also available, item ID 1167 (sold separately).
C F A
Aria from the Messiah by Handel. This arrangement follows Handel's original score and the performance tempos as performed originally by the London Symphony Orchestra. Scored for orchestra and tenor voice. Perfect solo piece for the holidays.
E D
The opening overture to Handel's Messiah. Played by full orchestra from Handel's original scores. Allegro, but with a slow introduction. Sets the stage perfectly for the full Messiah.
Em
Orchestra backing track for the Hallelujah Chorus from Handel's Messiah oratorio. This music follows Handel's original score. Popular piece for Christmas and Easter performances, perfect for choir.
D
Solo piano and voice. Schubert's Ellens Dritter Gesang, aka Ave Maria. Popular classical song for Christmas and weddings. Latin or German text settings have been used. Guide vocal in Bb.
All Keys
An exciting aria for bass soloist, movement 40 of the Messiah. Furiously bowing strings mirror the nations and kings in the lyrics, which "furiously rage together".
C
