The eighth movement of Handel's Messiah, a very brief rubato recitative for alto soloist. Only six measures long, it begins in the key of D, but ends in A.
D
The seventh movement from Handel's Messiah, a full SATB chorus. This orchestral recording follows Handel's original score, featuring strings, winds, harpsichord, and organ. Popular oratorio for Christmas and Easter.
Gm
Following Handel's original score, this is a complete orchestral recording of the Fifth movement from Messiah, Thus Saith the Lord -- an accompanied recitative for solo Bass vocal.
Dm
Chorus piece from Handel's "Messiah" following the original score, and recorded to sound similar to the London Symphony Orchestra's performance. Perfect for SATB choir.
A
Aria from the Messiah by Handel. This arrangement follows Handel's original score and the performance tempos as performed originally by the London Symphony Orchestra. Scored for orchestra and tenor voice. Perfect solo piece for the holidays.
E
The opening overture to Handel's Messiah. Played by full orchestra from Handel's original scores. Allegro, but with a slow introduction. Sets the stage perfectly for the full Messiah.
Em
Orchestra backing track for the Hallelujah Chorus from Handel's Messiah oratorio. This music follows Handel's original score. Popular piece for Christmas and Easter performances, perfect for choir.
D
An exciting aria for bass soloist, movement 40 of the Messiah. Furiously bowing strings mirror the nations and kings in the lyrics, which "furiously rage together".
C
