In this menacing bass aria, Handel signals darkness and danger with a "Jaws"-like musical motif in the orchestra. Simple and captivating, this is movement ten of the Messiah. Perfect for Easter or Good Friday. Direction is inspired by the London Symphony Orchestra recordings.
Bm
Movement 11 from Handel's Messiah is an aria for bass. The creepy chromatic melody is played unison by the orchestra and soloist, giving an unusual, dark character to the text. Tempos are similar to the London Symphony Orchestra recording.
Bm
Movement 19 of Handel's Messiah is a brief alto recitative, reciting the miracles that will occur when Jesus is born. Accompanied by bass, cello, and harpsichord.
Am
Movement 20 in Handel's Messiah is a gentle, flowing double aria for alto and soprano. The text describes how Jesus will protect his people. The alto sings the first half in F, and then the soprano takes over in Bb for the second half. Simple and beautiful. Could be done by one singer with a large range, but really perfect to feature two.
F
A full-blown fugue for SATB chorus, in grand Renaissance style. Handel doubles all the choral parts clearly in the orchestra, making this an easy fugue to sing. Movement 25 of the Messiah.
Fm
A joyous upbeat SATB chorus, Movement 35 of Handel's Messiah. Short and sweet with a powerful orchestral accompaniment. Follows Handel's original score.
D
A forceful, exciting aria for tenor, with lyrics describing God's wrath towards those who work against him. Orchestral direction follows the London Philharmonic recording. Movement 43 of Handel's Messiah, this aria occurs immediately before the famed Hallelujah Chorus.
Am
A majestic, triumphant aria for bass, featuring solo trumpet and full orchestral accompaniment. Movement 48 of Handel's Messiah, it speaks of the end of the world: how the dead will be raised, and the mortal will become immortal. Quite lengthy, as practically the entire four-minute aria is repeated after a short interlude.
D
Movement 49 of Handel's Messiah is a short alto recitative, setting the tone (and the key) for the alto-tenor duet that follows it (O Death, Where is Thy Sting?)
Bb
The Complete Messiah includes all 53 songs from the classic oratorio by Handel. This package has over 2.5 hours of music in 52 MP3 backing tracks, perfect for performing the Messiah from start to finish. Fully recreated from Handel's original scores. Lead sheets are included for the Arias and Recitative numbers only.
A moving spiritual about letting Jesus walk with you, in an arrangement featuring piano, bass, drums, organ, and guitar. Begins slow and dramatic, and then picks up to an moderate bluesy tempo. Four verses.
Cm Am Em
A traditional solo piano accompaniment to the classic gospel hymn. Great for either a soloist or choir, and the verses have built-in call and response sections too. The pianist plays stride left hand during the choruses, often in a ragtime style.
C Eb G
This traditional spiritual speaks of leaving this world and moving on. Arranged here for full orchestra plus rhythm section. Moderate tempo, three verses. Could work well for a soloist, a choir, or a congregation.
D F A
This heartfelt spiritual about standing with God is presented here in a simple folk style with two acoustic guitars, upright bass, and drums. Adopted by the civil rights movement as "We Shall Not Be Moved", the melody now conjures images of standing against injustice.
D C F
The definitive American patriotic karaoke collection, these twelve songs are perfect for July 4th, Memorial Day, Veteran's Day, or any other patriotic gathering. Easy to sing orchestral and marching band arrangements in emotions ranging from stirring and exciting to somber and reverent, even light-hearted and playful. Every song comes with sheet music, and several include guide vocal tracks to help in learning the melody.
