A gentle hymn of praise, popular during Lent and for Ash Wednesday, in a contemporary classical arrangement for strings, piano, finger-picked guitar, bass, and drums.
C A Eb
A contemporary pop ballad accompaniment to this traditional Lent and Easter hymn. Three verses. Slow and easy to sing. Great for either soloists or a full congregation.
Eb C G
A gentle orchestral arrangement of this classic Lent hymn. Soft strings, woodwinds, and horns anchor the simple melody and make it easy to sing.
F D A
A moving spiritual about letting Jesus walk with you, in an arrangement featuring piano, bass, drums, organ, and guitar. Begins slow and dramatic, and then picks up to an moderate bluesy tempo. Four verses.
Cm Am Em
An upbeat gospel accompaniment to this spiritual, perfect for Easter or any time of year. Piano, upright bass, and drums. One verse by the band as an introduction, and then three verses for the choir or soloist.
G E C
A rollicking country gospel version of the old spiritual, with twangy guitars, honky-tonk piano, upright bass, and a train rhythm on the drums. Six upbeat verses, fun for children or adults.
G C E
An new classical arrangement of this quiet hymn of prayer, featuring piano, acoustic guitar, strings, and horns. The lyrics clearly show the connection between what God does for us and our own service in the world, which makes it a perfect song for themes of responsibility or service.
G E Bb
A front-porch style bluegrass version of this traditional gospel tune, featuring banjo, guitar, upright bass, fiddle, and drums. Fiddle introduction, then five choruses and four verses.
F Ab C
A traditional solo piano accompaniment to the classic gospel hymn. Great for either a soloist or choir, and the verses have built-in call and response sections too. The pianist plays stride left hand during the choruses, often in a ragtime style.
C Eb G
This traditional spiritual speaks of leaving this world and moving on. Arranged here for full orchestra plus rhythm section. Moderate tempo, three verses. Could work well for a soloist, a choir, or a congregation.
D F A
Sometimes called "Up Over My Head", this simple, powerful gospel tune was made famous by Sister Rosetta Tharpe. During the civil rights era it became a protest song by substituting the words "freedom" and "justice" for "music". This traditional gospel arrangement featuring piano and church organ is perfect for a soloist, a choir, or both! Choirs behind a soloist can echo the first three lines of each verse immediately after the soloist for instant easy harmony, and sing the last line with the soloist in unison. Verse four goes up a whole step for dramatic effect, and slows down at the end for a big finish.
F D Ab
This heartfelt spiritual about standing with God is presented here in a simple folk style with two acoustic guitars, upright bass, and drums. Adopted by the civil rights movement as "We Shall Not Be Moved", the melody now conjures images of standing against injustice.
D C F
An accompaniment of the classic gospel hymn, featuring piano, electric keyboard and strings. One verse and two choruses, with lots of room for soloists to show their stuff. This is an original arrangement, but close enough to many popular arrangements to be easy to follow.
C F A
An upbeat contemporary praise and worship arrangement of the classic hymn, perfect for soloists, congregations, or choirs. Four verses. The fourth verse begins with a drum breakdown and slows dramatically at the end. Features piano, guitar, bass, drums, organ, synthesizer, and percussion.
F Bb D
A traditional arrangement of the classic Lenten hymn for string orchestra, woodwinds and piano. Three verses. There are several tunes commonly used for this hymn- this arrangement uses the Vox Dilecti melody by John Dykes.
G Eb Bb
