A soulful, gospel-infused accompaniment of the anonymous traditional African American spiritual Deep River. The spiritual's main theme is freedom and escaping from hardship, both physically from slavery and spiritually through faith. Our track sings twice through in ABA form.
B D F
A mellow and simple, yet moving arrangement of the classic hymn, This Is My Father's world. Perfect for soloists and congregational singing. Original text by Maltbie D Babcock and tune by Franklin L Shephard, published in 1901. Three verses, with a key change - up one whole step - for the third verse.
C D F
An uplifting contemporary arrangement of the classic Easter hymn about sacrifice. Features guitars, piano, synth, bass, and drums.
D B F
A glorious arrangement of this beautiful Easter hymn for orchestra and contemporary rhythm section. Sweeping, dramatic, and celebratory. Usable by choirs, congregations, and soloists.
Bb G Eb
A contemporary Christian arrangement of this powerful Easter hymn. Four verses, with guitars, synth, bass, and drums.
D Bb F
An ambient contemporary version of this Lenten hymn, with a quiet, thoughtful mood perfect for Lent. Six verses, with a short introduction and outro.
Fm Dm Abm
A traditional arrangement of the classic Lenten hymn for string orchestra, woodwinds and piano. Three verses. There are several tunes commonly used for this hymn- this arrangement uses the Vox Dilecti melody by John Dykes.
G Eb Bb
An upbeat contemporary praise and worship arrangement of the classic hymn, perfect for soloists, congregations, or choirs. Four verses. The fourth verse begins with a drum breakdown and slows dramatically at the end. Features piano, guitar, bass, drums, organ, synthesizer, and percussion.
F Bb D
An accompaniment of the classic gospel hymn, featuring piano, electric keyboard and strings. One verse and two choruses, with lots of room for soloists to show their stuff. This is an original arrangement, but close enough to many popular arrangements to be easy to follow.
C F A
This heartfelt spiritual about standing with God is presented here in a simple folk style with two acoustic guitars, upright bass, and drums. Adopted by the civil rights movement as "We Shall Not Be Moved", the melody now conjures images of standing against injustice.
D C F
