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movement

Showing: 1 - 13 of 13 items
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Messiah: The People That Walked in Darkness (Handel)

$4.25

Movement 11 from Handel's Messiah is an aria for bass. The creepy chromatic melody is played unison by the orchestra and soloist, giving an unusual, dark character to the text. Tempos are similar to the London Symphony Orchestra recording.

Bm

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Messiah: Pifa (Handel)

$3.95

Movement thirteen in Handel's Messiah is the only purely instrumental movement, without any singing at all. It's useful as an interlude, contemplative moment, or during an intermission. The title "Pifa" suggests shepherds' music played traditionally at Christmas by the Italian "pifferare" (pipers or shepherds).

C

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Messiah: Glory to God in the Highest (Handel)

$4.59

Movement 17 from Handel's Messiah, this is a joyous SATB chorus, complete with trumpets, woodwinds, strings, and harpsichord. The text of "peace on Earth, goodwill towards men" is perfect for Christmas. Orchestral direction reflects the London Philharmonic Orchestra recording. Includes mvmnt. 16 (an 8-measure soprano recitative) as an introduction.

D

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Messiah: Rejoice Greatly, O Daughter of Zion (Handel)

$4.95

Movement 18 of Handel's Messiah is a dramatic and involved aria for soprano. A fast major-key beginning and end require virtuosic singing, and the slow minor-key middle section gives the singer lots of room to be expressive. Orchestral direction reflects the London Philharmonic Orchestra recording.

Bb

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Messiah: Then Shall The Eyes of the Blind Be Opened (Handel)

$2.99

Movement 19 of Handel's Messiah is a brief alto recitative, reciting the miracles that will occur when Jesus is born. Accompanied by bass, cello, and harpsichord.

Am

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Messiah: He Shall Feed His Flock Like a Shepherd (Handel)

$4.49

Movement 20 in Handel's Messiah is a gentle, flowing double aria for alto and soprano. The text describes how Jesus will protect his people. The alto sings the first half in F, and then the soprano takes over in Bb for the second half. Simple and beautiful. Could be done by one singer with a large range, but really perfect to feature two.

F

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Messiah: He Trusted In God (Handel)

$4.95

Movement 28 of Handel's Messiah is a four-part SATB fugal work about Christ's faith in God. All vocal parts are doubled clearly in the orchestra, making the complex music easy to sing. A fairly fast allegro movement with a slow dramatic ending.

Cm

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Messiah: But Thou Didst Not Leave His Soul in Hell (Handel)

$4.49

Movement 32 of Handel's Messiah is an aria for tenor (or soprano). Moderately, calm, and stately, it occurs just after Christ is killed, and reassures the audience that his death is temporary. Orchestral direction and tempos follow the London Philharmonic recording with Walter Susskind conducting.

A

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Messiah: Lift Up Your Heads, O Ye Gates (Handel)

$4.95

Movement 33 of Handel's Messiah is celebratory and challenging, with a strong Amen ending, a great choral work for Christmas or other holidays. This SATB (and at times, SSATB) chorus that features strong unison rhythms alternating with quiet fugal sections. Full orchestra accompaniment that follows Handel's original score.

F

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Messiah: Behold, I Tell You a Mystery (Handel)

$3.95

Movement 47 of Handel's Messiah is a bass recitative that serves as a noble and grand introduction to the bass aria "The Trumpet Shall Sound".

D

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Messiah: Then Shall Be Brought to Pass (Handel)

$2.59

Movement 49 of Handel's Messiah is a short alto recitative, setting the tone (and the key) for the alto-tenor duet that follows it (O Death, Where is Thy Sting?)

Bb

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Jesu, Joy of Man's Desiring (Bach)

$2.49

Movement 10 of Bach's Cantata 147, this famous hymn tune has one of the most beautiful orchestral accompaniments ever written. Recorded from Bach's original scoring for SATB chorus, full string orchestra, solo oboe, and solo trumpet. Intended as a sing-along track for SATB choirs performing this Cantata movement.

G

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I Shall Not Be Moved

$4.49

This heartfelt spiritual about standing with God is presented here in a simple folk style with two acoustic guitars, upright bass, and drums. Adopted by the civil rights movement as "We Shall Not Be Moved", the melody now conjures images of standing against injustice.

D C F

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