Here I Am To Worship, made popular by contemporary Christian artist Tim Hughes. Semi-acoustic version, containing a string quartet feel, acoustic guitar, piano, bass and drums. Perfect for solo male performance, or as an inviting opening piece for worship. Used under license from EMI/Thank You Music.
E
A beautiful, soulful, modern pop ballad version of the traditional Methodist hymn Savior, Like A Shepherd Lead Us. Features piano, acoustic and electric guitar, keyboard, bass and drums, gradually building to a moving final chorus. Reharmonized for a more gospel feel. This version plays through 3 verses.
Eb C F
A mellow and simple, yet moving arrangement of the classic hymn, This Is My Father's world. Perfect for soloists and congregational singing. Original text by Maltbie D Babcock and tune by Franklin L Shephard, published in 1901. Three verses, with a key change - up one whole step - for the third verse.
C D F
An acoustic arrangement of this beautiful hymn about coming together in love, in a classical Appalachian style featuring string quartet, acoustic guitar, light percussion, and piano. Appropriate in any season, but perfect for Holy Week and Easter. Begins with a string quartet introduction; singing starts when the guitar enters.
F D Ab
A contemporary worship version of Hark! The Herald Angels Sing, featuring keyboards, guitars, and drums. Perfect for corporate worship, or as a caroling track. A Christmas and holiday season standard.
F A C D
An ambient, mysterious and powerful arrangement of the traditional spiritual, Were You There. Perfect for Lent, Easter, Good Friday, and for general worship. All four verses. Great for children or as a solo as well. Complete with rain wind and percussion.
Eb G C
This soprano recitative comprises movements 14 and 15 of Handel's Messiah. It tells of the angel of God appearing to the shepherds. Very slow and rubato, with timings carefully matched to the London Philharmonic Orchestra recording.
C
A melodic, gentle Irish arangement of the traditional hymn, The King of Love My Shpherd Is, with text by Henry W. Baker. Features Irish wistle and hand drum, accompanied by piano and bass. Trust and guidance. Four times through.
Eb G C Bb
Movement 20 in Handel's Messiah is a gentle, flowing double aria for alto and soprano. The text describes how Jesus will protect his people. The alto sings the first half in F, and then the soprano takes over in Bb for the second half. Simple and beautiful. Could be done by one singer with a large range, but really perfect to feature two.
F
A haunting and simple folk-inspired accoustic guitar and cello duet for Christmas Eve. Part of our Campfire Christmas collection. This song captures the mystery and quiet contemplation of the birth night in the manger.
Dm Cm Em Gm
A flowing duet for alto and tenor leads into a glorious SATB chorus thanking God. This track comprises movements 50 and 51 of the Messiah. Orchestral accompaniment is from Handel's original score.
Eb
A quiet, simple solo for tenor (or soprano), movement 30 of the Messiah is under two minutes long, and labeled an "arioso" (little aria) by Handel. The lyrics speak of Christ's sorrow, and tempos follow the London Philharmonic Orchestra recording.
Em
A rhythmic acoustic version of the Epiphany hymn, featuring acoustic guitar, piano, organ, upright bass, and percussion. Celebratory and simple.
D C F A
A soaring contemporary version of this hymn about undying faith. Moderate tempo, rock band with guitars, organ, and strings.
G F Bb D
An original orchestral, contemporary arrangement of the popular worship song, There Is A Redeemer, by Melody Green. Perfect as a solo for female voice, or as a duet, or for larger singing groups. Full of thanksgiving and praise.
D
