The Messiah - Part 3 includes the final 8 songs from the classic oratorio by Handel. Fully recreated from Handel's original scores. Lead sheets are included for the Arias and Recitative numbers only.
The Spiritrax.com Ultimate Jewish Music Collection includes fourteen traditional Jewish songs for the Chanukah and Passover holidays in their most commonly sung keys. Click each title below to preview that track. Each accompaniment background track comes with sheet music, and several tracks include a demonstration version.
The definitive American patriotic karaoke collection, these twelve songs are perfect for July 4th, Memorial Day, Veteran's Day, or any other patriotic gathering. Easy to sing orchestral and marching band arrangements in emotions ranging from stirring and exciting to somber and reverent, even light-hearted and playful. Every song comes with sheet music, and several include guide vocal tracks to help in learning the melody.
The Messiah - Part 1 includes the first 21 songs from the classic oratorio by Handel. Fully recreated from Handel's original scores. Lead sheets are included for the Arias and Recitative numbers only.
Klezmer backing track arrangement perfect for singing along to the Four Questions of the Passover Seder, also known as Halila Hazeh. Verses traditionally sung by the youngest in the family with everone singing the choruses.
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The Spiritrax.com Christmas Collection Vol. 2 includes twelve popular Christmas songs in their most commonly sung keys. Click each title below to preview that track. Each accompaniment background track comes with sheet music and a demonstration version.
A very brief accompanied recitative from Handel's Messiah for tenor (or soprano). Only 30 seconds long, movement 31 forms a bridge between two short tenor arias, "Behold, and See if There Be Any Sorrow" and "But Thou Didst Not Leave His Soul in Hell", so a recital soloist might perform all three as a set. Very slow and rubato, with tempos following the London Philharmonic recording with Walter Susskind conducting.
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A short, powerful SATB chorus from Handel's Messiah, relating the first time that Christ speaks to the preachers after rising from the dead. Fast virtuosic lines in all parts, clearly doubled in the orchestra. An impressive concert work. Movement 37 in Handel's Messiah.
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A slow, peaceful aria for soprano with orchestral accompaniment. Movement 38 of Handel's Messiah, the lyrics praise Christians who spread peace and the good word. The slow tempo leaves room for vocal ornamentation.
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A strong, energetic SATB chorus, movement 39 of the Messiah is fairly brief. Forte all the way through, it makes a good concert opener. The orchestra follows Handel's original score.
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A contemporary arrangement of the classic hymn Rock of Ages, with a slightly jazzy and pop infused sound. Features piano and acoustic guitar with bass and drums and light synths. Originally by Augustus Toplady, the setting was first written by Thomas Hastings in 1830. This arrangement features 4 verses.
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An instrumental version of the famous Bach aria Sheep May Safely Graze, recorded here with two flutes, cello, harpsichord, and violins on the melody. A beautiful and well-known work, it is often used to set a peaceful mood at the beginning of special events. For a backing track version that leaves out the violin part to make room for a soprano soloist, see track 1302.
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A new mellow arrangement of the favorite Christmas hymn Silent Night for 3 acoustic guitars and cello with light hand percussion. Part of our Campfire Christmas collection. 3 verses. Use instrumentally or as a vocal accompaniment.
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Acoustic arrangement of the classic Christmas hymn Joy To The World for 3 guitars and light hand percussion. 3 verses, with a key change up a whole step on the final verse. Great energy, yet relaxed and mellow. Perfect for Christmas by the fire, part of our new Campfire Christmas collection.
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A forceful, exciting aria for tenor, with lyrics describing God's wrath towards those who work against him. Orchestral direction follows the London Philharmonic recording. Movement 43 of Handel's Messiah, this aria occurs immediately before the famed Hallelujah Chorus.
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